The Bechdel test has been in the news a lot recently. That's the supposed "test" for whether a movie (or, in principle, any other unit of moving-picture fiction, or any fiction I suppose) is adequately feminist/non-sexist. It has three requirements:
- That there be at least two female characters;
- That they talk, to each other; and
- That their conversation be about something other than a man.
I like this test, basically. Certainly I agree with what I believe was the basic sentiment behind the original comic, that a world in which depictions of such conversations between two women are extremely rare or essentially nonexistent is in that regard a very bad world. And so I find very interesting this analysis from the newly relaunched FiveThirtyEight that found that movies made since 1990 which pass the test have received smaller budgets than those which fail it, and that passing movies have brought a greater return on investment than failing ones. As acknowledged by the article, the test has some problems, and can in a lot of cases break down. For instance, the movie Gravity "fails" the test, because it has precisely two real characters, one of whom, the protagonist, is female, and the other of whom is male. The female protagonist is a very strong character, but, y'know, she's up in space, all isolated and stuff. But for making broad-brush judgments against a whole bunch of movies in the aggregate, it works pretty well. We can anticipate that, on average, movies that fail the test will do a worse job of portraying good female character than ones that pass it, even if there are some exceptions on both sides.